MIKI MALÖR – Performance. Radical Theater.

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A Room of One’s Own

Performance for an Underground Garage

A necessity.

A detached, batty thing,
hanging between rubber trees and hut, nocturnal,
a thing that would like to be serene.

Bertolt BrechtA Man’s A Man (1926)

With David Ender, Jack Hauser, Amadeus Kronheim, Miki Malör, Helmut Schütz
Technical Assistance Wolfgang Faschang
Time, Place May 1997
Underground Garage
Kärtnerstraße, Vienna

DECOMPRESSION STOP is a part of ANIMA, a feminist performance cycle comprising four independent performances.