MIKI MALÖR – Performance. Radical Theater.

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The Lady Who Ate 100 Cakes

Big Machine No. 23

Photo: Miguel Ángel Gaspar

Whatever you expect: we will not interfere.

There is no further information regarding topic or content.*)

PerformanceMiki Malör, Martina Spitzer
Directed byMiguel Ángel Gaspar
ConceptionMiki Malör
Subsidized byKulturabteilung der Stadt Wien MA 7
Time, PlaceNovember 15th to 25th, 2006
KosmosTheater, Vienna

*) A performance has neither object nor subject; it is made of variously formed matters, and very different dates and speeds. In a performance, as in all things, there are lines of articulation or segmentarity, strata and territories; but also lines of flight, movements of deterritorialization and destratification. All this, lines and measurable speeds, constitute an assemblage. A performance is an assemblage of this kind. It is a multiplicity.

based on Deleuze/GuattariA Thousand Plateaus (1987, orig. 1981)

The title was gratefully gathered from:
»Skizzen eines imaginären Reiches. German.«
by Franz Neovalis Neulinger

Press photos