MIKI MALÖR – Performance. Radical Theater.
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DeutschSwarms
- 100 Objects to
Represent Theatre - Tiger Balm
- Matilda
- Interior Design
- The Attack of the 50 Foot Woman
- The Lady Who Ate 100 Cakes
- nationalANTHEMS
- HYSTERIA!
Desire As The Will
To Be Trapped- Veiling
- »us«
- Prey
Gretchen‘s Plait
- Vampyroteuthis
infernalis Transit
Anima
The Lady Who Ate 100 Cakes
Big Machine No. 23
Whatever you expect: we will not interfere.
There is no further information regarding topic or content.*)
| Performance | Miki Malör, Martina Spitzer |
| Directed by | Miguel Ángel Gaspar |
| Conception | Miki Malör |
| Subsidized by | Kulturabteilung der Stadt Wien MA 7 |
| Time, Place | November 15th to 25th, 2006 KosmosTheater, Vienna |
*) A performance has neither object nor subject; it is made of variously formed matters, and very different dates and speeds. In a performance, as in all things, there are lines of articulation or segmentarity, strata and territories; but also lines of flight, movements of deterritorialization and destratification. All this, lines and measurable speeds, constitute an assemblage. A performance is an assemblage of this kind. It is a multiplicity.
based on Deleuze/GuattariA Thousand Plateaus (1987, orig. 1981)
The title was gratefully gathered from:
»Skizzen eines imaginären Reiches. German.«
by Franz Neovalis Neulinger
